Formula for a rereading of early elegy

Comments

In 2005 I wrote a saxophone quartet entitled "Elegía anticipada" and two years later, he got the chance to write a piece for bass saxophone with a system based on electronic recording and handling of that earlier work accompaniment. The core of the play is the sax line under reminiscent reasons, textures and gestures quartet appears blurred electronically and always with a secondary role. The saxophone is dedicated to conducting a rereading of the ideas that went through my head when I wrote "Elegía anticipada", endorsing also own electronic techniques. He tried to avoid at all costs the use of electronic means to impose modifications to my musical language, that's what I tried explicitly not to erase with electronics a key for my parameter: the height, and by extension modes or ranges of sound.

 Score