Fidelis

Comments

We can set the starting point for understanding this book as 'traditional music in a seemingly carefree personal style, which uses as a framework the form "Suite" (neoclassical style)'.

This work is structured according to the "Suite" form established along hitoria Music: Dance binary rhythm, followed by a ternary rhythm; slow dance followed by rapid dance ....

Regarding the language used, we can say that is consistent with the formal treatment described above; modes or scales reminiscent of those of O. Messiaen, treated with absolute freedom, and dissonance are used as the backbone. Each time the "Suite" explores his own formal and rhythmic characteristics within its own soundscape for every situation, providing each time their own independence and personality within the overall body of work.

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