Fantasy

Description

Work composed in 1975, with twelve-tone principles, which aims to communicate the theory of risk, giving scope to the melody disguised as chords or superimposed intervals, resulting in new sonorities accompanied by controlled successions and displacements, within a permanent indefinite atonality.

The work contains a permanent dialogue between the Clarinet and the piano, and is built with three variations of the Theme, which develop from less to more to reach maximum tension in the final chromaticism.