Dedicated to Emi Recasens, a clarinet teacher and friend of the composer. Regarding the formal structure of the composition, it keeps the classical canons of what is known as ternary Lied. However, there is not any tonality, since atonality prevails. What gives shape to the melodic line of the first sentence of the piece, and will determine the style of its musical discourse is a succession of sounds that alternate the white keys of the piano with the black ones.
|1 × 21 × 29 cm
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